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m a t t h e w e v a n g e l i s t a is President White Professor of History and Political Science and former chair of the Department of Government at Cornell University.ĥ Gender, Nationalism, and War Conflict on the Movie Screen Matthew EvangelistaĦ c a m b r i d g e u n i v e r s i t y p r e s s Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Tokyo, Mexico City Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York Information on this title: Matthew Evangelista 2011 This publication is in copyright. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the Âmisogynistic violence that often accompanies nationalist wars. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. In The Battle of Algiers, female bombers Âdestroy Âcivilians while men dress in women s clothes to prevent the French army from capturing and torturing them. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones.
Yet women have been perpetrators as well as victims of Âviolence in nationalist conflicts. 2 Free ebooks => This page intentionally left blankģ Free ebooks => Gender, Nationalism, and War Virginia Woolf famously wrote as a woman I have no country, Âsuggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace.
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